






MARY MAY
































10-12 hours once I start working on your song.
Revisions are part of the process. I work collaboratively and transparently to make sure the final result feels right to you before approving.
That’s totally ok and we can figure out the right approach for your material and confirm the scope of work (mixing, mastering, ATMOS, production, editing, sound design, etc.).
They can be — but for electronic music, a full-spectrum approach often yields better results. Handling the mixing and mastering as a connected process avoids problems with clarity, loudness, and impact.
You can do it all yourself — and many artists start that way. But at a certain point, doing everything alone becomes the biggest thing holding your music back.
I offer a true full-spectrum approach to electronic music — combining mixing, mastering, additional production, editing, sound design, and immersive mixing. With over 20 years of professional experience and objective, detail-driven ears, I help your music translate powerfully across clubs, streaming platforms, and modern playback systems while staying true to your artistic vision.
A strong mix might still break down after leaving the studio - maybe losing punch, volume, or consistency across devices. I focus on dimension, crispness, tight bass, and roominess, making sure your song doesn’t only shine in one spot, but hits hard no matter where it's played..
That’s what I can help with. I can identify what’s holding a track back and offer additional production, editing, or sound-design support before the final mix..
