Professional Indie Pop Music Mixing,
Mastering & Production
All in One Place
Your songs, the way you hear them in your head: warm, clear, and ready for the world.
Professional Indie Pop Music Mixing,
Mastering & Production
All in One Place
Your songs, the way you hear them in your head: warm, clear, and ready for the world.
What I Do
Mixing
Mixing that brings out the heart of your songs — every vocal, every layer, every feeling.
Mastering
Loud, polished and professionally optimized masters for every platform today
Dolby Atmos
Immersive spatial mixes that translate across streaming platforms and modern playback systems
Additional Production
Enhance your vision with added layers, tweaks and musical development when appropriate
Editing & Cleanup
Creative and technical arrangement editing - clean, tight and ready for final mix
Sound Design
Custom-crafted tones, layers, and sonic details that give your music depth without losing its heart.
My Process
STEP ONE
Initial Brief
Every project begins with a conversation about your vision and goals. We’ll discuss your artistic intent and timeline so everything is aligned from the start.
STEP TWO
Asset Delivery
Deliver your files along with any notes, reference tracks or specific requests. I’ll identify opportunities for improvement and confirm the scope of work.
STEP THREE
Mixing | Mastering
Mixing for depth, feel, and vocal presence, followed by mastering for a clean, cohesive final tone. Where needed, I'll weave in production details and atmosphere that elevate the whole song.
STEP FOUR
Revisions
Collaboration is key - you'll receive a mix reference for review. I will address your notes, making adjustments until the track fully aligns with your artistic vision.
STEP FIVE
Dolby Atmos
An optional Dolby Atmos version can also be created, offering an immersive spatial presentation that adds dimension for immersive listening environments.
STEP SIX
Final Delivery
Once approved, you’ll receive all deliverables in an organized package ready for release.
About me
I’m a creative problem solver who believes great sound is equal parts art and precision. Based in New York City, I bring over 20 years of professional experience working across music and parlaying my skills across film and television. My approach is rooted in collaboration—whether I’m working with producers, artists, or singers, the goal is always the same: to deliver work that sounds incredible, feels authentic and serves the vision at hand.
My path into mixing began as a bass player, which deeply shaped how I listen and work. Coming from a musician’s perspective, I focus on groove, balance, and emotional impact, not just technical perfection. That foundation allows me to bridge creative intent with technical execution, helping artists translate ideas into finished records that connect, translate and stand up in the real world.
My Work
Beastie Boys - Hot Sauce Committee Part 2
(Engineer)
Maggie Rogers - Notes From The Archive: Recordings 2011-2016
(Engineer)
Danger Mouse & Karen O - Lux Prima
(Engineer)
Phoenix - Bankrupt!
(Engineer)
Cassius - Action (single)
(Engineer | Additional Production)
Cassius - IBIFORNIA
(Engineer | Additional Production)
Yoko Ono - Bad Dancer
(Mixer)
She & Him - Christmas Party
(Assistant Engineer)
Joan Jett
Sinner
(Assistant Engineer)
Portugal. The Man
Modern Jesus (Mike D Remix)
(Co-Producer | Mixer)
Beastie Boys (featuring Santigold)
Don't Play A Game That I Can't Win (single)
(Engineer)
Norah Jones
That's What I said (Ad Rock & Mike D NYC Remix)
(Mixer)
Gogol Bordello
Seekers and Finders
(Engineer)
Mannequin Pussy
Gypsy Pervert
(Engineer)
Ratboy
SCUM
(Engineer)
Ratboy
Revolution (single)
(Additional Production)
They Might Be Giants
Phone Power
(Engineer)
Champagne Jerry
Champagne Robot (single)
(Producer | Mixer | Mastering)
Nufolk Rebel Alliance
Tribute to the Clash
(Mixer | Mastering)
Rival Schools
69 Gunz (Ad Rock Remix)
(Mixer)
Bridget Everett & Tender Moments - Pound It!
(Co-Producer | Engineer | Mixer)
The Julie Ruin - Run Fast
(Producer | Mixer)
Biffy Clyro - Puzzle
(Assistant Engineer)
Song One - Original Motion Picture Soundtrack
(Engineer)
The Jon Spencer Blues Explosion Meat + Bone
(Mixer)
Mexican Institute of Sound Alcotel (Ad Rock Remix)
(Producer | Mixer)
Karla Rose - The Living End
(Mixer | Mastering)
Kindness - World, You Need A Change of Mind
(Engineer)
Sar Davlenova
Star Supernova
(Producer | Engineer | Mixer)
Mary May
The Softest Tune
(Mastering)
Bridget Everett & Tender Moments - Pussy Grabs Back
(Engineer | Mixer)
Grand Flux
While the World Stops
(Producer | Mixer | Mastering)
Here's what my clients are saying...
"There's so many great things I can say about Andre as an engineer. He knows how to get the sound you want. You can trust him with every step of the process. From recording and mixing, to producing, to overseeing mastering."
ADAM HOROVITZ
Beastie Boys
"I love working with Andre! He is so knowledgeable, fast on his feet, hard-working, resourceful and sweet. He always spent extra time when we needed to and helped us accomplish our goals. A total pro. Look forward to working with him again soon!"
BRIDGET EVERETT
Bridget Everett & The Tender Moments
"Andre is a cool guy. The coolest."
BRANCO LAURENT
Phoenix
"I’ve had the opportunity to work with Andre while recording our latest album "Seekers and Finders" (Gogol Bordello). His professionalism led me to work with him again, mixing and mastering a solo project called NUFOLK Rebel Alliance. Love working with Andre, very intuitive and alert to details."
PEDRO ERAZO
Gogol Bordello
"I worked with Andre on the 2017 Gogol Bordello record "Seekers and Finders. He is an absolute joy to work with. Extremely patient and relaxed, always takes ideas to the end no matter how long it takes. Great knowledge of sonics, gear and music. Very crafty with all the hip new modern gear/plugins/concepts."
BORIS PELEKH
Gogol Bordello
"Andre is a pro at what he does, he did an amazing job mastering my song in the shortest period possible, and is also very pleasant and kind in communication.
I would definitely recommend working with him."
MARY MAY
MARY MAY
Frequently Asked Questions (FAQs)
Q. What's the typical timeline for mix and master?
10-12 hours once I start working on your song.
Q. I’m worried about revisions or not liking the first version.
Revisions are part of the process. I work collaboratively and transparently to make sure the final result feels right to you before approving.
Q. What if I only need a specific service(s)?
That’s totally ok and we can figure out the right approach for your material and confirm the scope of work (mixing, mastering, ATMOS, production, editing, sound design, etc.).
Q. Isn’t mixing and mastering supposed to be separate?
They can be — but for electronic music, a full-spectrum approach often yields better results. Handling the mixing and mastering as a connected process avoids problems with clarity, loudness, and impact.
Q. Why shouldn't I just do this all by myself?
You can do it all yourself — and many artists start that way. But at a certain point, doing everything alone becomes the biggest thing holding your music back.
Q. Why should I hire you? What makes you unique?
I offer a true full-spectrum approach to electronic music — combining mixing, mastering, additional production, editing, sound design, and immersive mixing. With over 20 years of professional experience and objective, detail-driven ears, I help your music translate powerfully across clubs, streaming platforms, and modern playback systems while staying true to your artistic vision.
Q. My mixes already sound good — what will you actually improve?
A strong mix might still break down after leaving the studio - maybe losing punch, volume, or consistency across devices. I focus on dimension, crispness, tight bass, and roominess, making sure your song doesn’t only shine in one spot, but hits hard no matter where it's played..
Q. I don’t know if my track is “ready” yet.
That’s what I can help with. I can identify what’s holding a track back and offer additional production, editing, or sound-design support before the final mix..
Elevate Your Sound
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